@ Addis Video Art Festival Addis Ababa – 26 Dec 2024 – 01 Jan 2025

Screening program 1
The Human Factor

Videos by
Bruno Pavic (Croatia) – Message, 2022, 1:04
Kokou Ekuagou (Togo) – Stand Up, 2021, 1:46
Tova Beck-Friedman (USA) – Arrogance, 2021, 3:04
Brit Bunkley (New Zealand) – Pillar of Cloud, 2019, 4:03
Moshe Vollach (Israel) – 31 Cubes, 2019, 8:55
Renata Padovan (Brazil) – The Scale of Desaster, 2013, 9:40
Ian Gibbins (Australia) – Floodtide, 2021, 8:00
Augusto Calçada (Brazil) – Selfie-Destruction, 2024, 4:50
Shahar Marcus (Israel) – Dig, 2019, 5:40


Program2
Vacations in the Subconscious (Surrealist Vacation Resort Addis Ababa 2024)

Videos by
Manusamo & Bzika (ES/SK) – Interplanetary Colonization, 2021, 4:14
Maria Korporal (NL) – The Mind’s Egg, 2023, 2:30
Fran Orallo (Spain/UK) – Where Dreams Live, 2023, 6:44
Luis Carlos Rodríguez (Spain) – TEXtrucTURAS huMANas, 2024, 06:30
Laura & Sira Cabrera Díaz (Spain) – Between Species, 2021, 9:16
Yiou Wang & Alina Tofan (USA/Romania) – Water Always Wants To Go, 2024, 5:02
Adrián Regnier Chávez (Mexico) – Fuga I.,2014, 7:39
Pedro F. Bericat (Spain) – TV 2018, 2018, 2:00




@ TENT Biennale Kolkata – 18 -21 Dec 2024

Screening program 1
AnimateC’24

Videos by
Edward Ramsay-Morin (USA) – Up and Away, 2024, 05:19
Izabella Retkowska (Poland) – Anamnesis, 2023, 1:00
Maria Korporal (NL) – Diaspora, 2023, 5:57
Shon Kim (S.Korea) – BOOKANIMA: Andy Warhol, 2020, 4:58
Sarah Buckius (USA) – technoloffspring v.1, 2024, 2:53
Sandrine Deumier (France) – From the place where the light goes out, 2023, 5:45
Nonoho Suzuki (Japan) – ABURIDASHI Assortment: Video Letters written in invisible ink, 2022, 09:24
Ausin Sainz (Spain) – Tourist, 2024, 6:00
Coalfather Industries (USA) – Fracture, 2020, 2:53
Susanne Wiegner (Germany) – Looking Glass, 2023, 7:00
Silliam Bims (USA) – To Speak Through You and You Through Me (Spoken Through), 2020, 11:22


Screening program 2
Vacations in the Subconscious (Surrealist Vacation Resort Kolkata 2024)

Videos by
Peter Whittenberger (USA) – All Possible Futures, 2019, 3:51
Marcantonio Lunardi (Italy) – Pietas for you, 2023, 3:55
Albert Merino (Spain) -The Present Condition, 2020, 18:10
Brit Bunkley (New Zealand) – Natural Intelligence, 2024, 7:23
Laura & Sira Cabrera (Spain) – Hole – Agujero, 2024, 09:26
Thomas Vallianatos (Greece) – Athens-the present that didn’t exist, 2023, 3:51
Claudia Krogmeier (France) – How to Social (2023), 5:50
Pascal RENAULT (France) – Basalt, 2023, 14:00




@ MIVA Festival 23/24 August 2024 Quito/Ecuador

FI – Finiteness-Infinity
The Foundation Screening series

Part 1 – 60 minutes
Marco Joubert (CA) – A DIFFERENT GOAL, 2023, 03:26
Barry Anderson (USA) – Fragment [av24.01],2024, 4:35
Isthmaël Baudry (France) – Morphoex-Bettina, 2019, 4:00
Clay Dunklin (USA) – SERPENTalk, 2021, 03:12
Luis Carlos Rodríguez (Spain) – TEXtrucTURAS huMANas, 2024, 06:30
Silvia de Gennaro (Italy) – I Just Want to Dance, 2023, 3.29
Henry Gwiazda (USA) – Flowing, 2022, 8:17
Peter Whittenberger (USA) – To Hold, 2024, 04:58
Paolo Bandinu (Italy) – WHERE THERE IS SHADOW THERE MUST BE LIGHT, 2020, 03:10
Albert Merino (Spain) -The Present Condition, 2020, 18:10


Part 2 – 60 minutes

Fran Orallo (UK/Spain) – 2123, 2023, 4:45
Marcantonio Lunardi (Italy) – Pietas for you, 2023, 3:55
Laura & Sira Cabrera (Spain) – Hole – Agujero, 2024, 09:26
Augusto Calçada (Brazil) – Selfie-destruction, 2024, 4:50
Yiou Wang & Alina Tofan (China/Romania) – Water Always Goes Where It Wants to Go, 2024, 05:02
Brit Bunkley (New Zealand) – Pillar of Fire, 2021, 6:59
Alejandro Casales N. & Esther Lamneck (Mexico) – Broken Space in Fractal Way, 2023, 08:49
Ronit Keret (Israel) – Abyss, 2021 , 01:49
Leonardo Cardamone (Italy) – Untitled, 2024, 11.04
Farhanaz Rupaidha (Indonesia) – War Zone, 2024, 3:00
Susanne Wiegner (Germany) – Sunrise, 2019, 5: 46


These Anthropocene Foundry programs – are consisting of 2 video programs from The Anthropocene Project, including about 500 international artists, created and curated by Wilfried Agricola de Cologne for The New Museum of Networked Art – dealing with the human impact on nature and the natural living environment manifested in two comprehensive media collections – video art & sound art. For the screening in the framework of festicals, animated contents have been selected to point to the human impact in terms of the artistic creation itself. The video artists are composing different types of self-created footage, partially using latest technology (artificial intelligence) based on a specific subjective view on the Big Creation (our world) forming new types of reality of the world they are living in. They do not only reflect the existing but go far beyond to visions of the future referring to the finiteness of life as well as the infinity of the Creation. By being confronted with, the audience in Quito becomes the foundry of a new human existence, at least in the imagination.
The Foundation Screening Series refer to the 25th anniversary of the foundation of the New Museum of Networked Art on 1 January 2000 and the current foundation process of The Agricola de Cologne Foundation for the Arts which will operate the museum from 2025 onwards.