Hyper H 03

Barry Anderson is an artist based in Kansas City working in video, photography, sound, and
installation. His work has been featured in over 50 solo exhibitions and over 100 group exhibitions
around the US and abroad. His work is also included in museums and numerous public and private
collections around the country. His current projects are Polychrome Rift, a series of AI-processed
videos and prints exploring psychological space in abstract form and content, and Lucite Plains, a
music and performance collaboration with fellow visual artist Ricky Allman.

Anton Anishchanka
is field recordist, sound artist and curator from Minsk, Belarus. He works in the field of electronic music production and electroacoustic music composition. He prefers to use analogue musical gear and soundscapes made during sound expeditions around the world. He works in different musical genres – ambient experimental, ethno-ambient, ambient jazz, drone. Most of his projects are about deep listening experience. Currently he is working on the Parus ethno-ambient project in collaboration with folk singer/ ethnographer Hanna Silivonchyk. Its tracks are based on ambisonic soundscapes, live vocals, sampled ancient Belarusian acoustic instruments, tapes, synthesizers and analogue sound precessing gear.

Giovanni Michelle Arroyo Torres,
born March 25, 1999 in Toluca, State of Mexico. Graduated from the Universidad Autónoma Metropolitana Unidad Lerma with a degree in Digital Art and Communication. His work has been linked to the post-production of audiovisual projects, focusing mainly on sound. As a digital artist, he seeks to create an impact through abstraction, editing and experimentation of sounds, images and shapes, in order to create spaces and feelings in which the viewer empathizes with the themes of his works.

During production of the sculpture, the events of the Boston Marathon Bombing ensued, including the police manhunt for the bombing suspect. Residents of Watertown and the surrounding area were asked to remain indoors on lock-down in their residence. This recording was created on 4/19/2013 while in the adjacent town of Allston, MA. It consists of live, simultaneously broadcast frequencies. Radio signals are introduced by manually raising the volume on each connected receiver. The recording has undergone no editing.

Silliam Bims
is a legal name, acceptable for a variety of official uses, from employment, to banking and debt collection. The name is suitable for emails, subscriptions, promotional offers, and all other organizational enterprises needing a semantic target for the biological referent.

Daria & Dominika Blazek
L A R T a team of two sisters multidisciplinary artist, who have been working together on several projects since 2010, mainly ART. INSTALLATION _organic _LAND ART _ ephemeral_ FORM, SOUND FIELD , DESIGN, portable architecture, for URBAN spaces and LAND ART.

Félix Blume (France, 1984)
is a sound artist and sound engineer. He currently works and lives between Mexico Brazil and France. He uses sound as a basic material in sound pieces videos actions and installations. His work is focused on listening it invites us to a different perception of our surroundings. His process is often collaborative working with communities using public space as the context within which he explores and presents his works. He is interested in myths and their contemporary interpretation in human dialogues both with inhabited natural and urban contexts in what voices can tell beyond words.

Sara Broto,
music, literature and visual art are her skins in movement through the roots of
craftswomanship and mediation and their natural interrelationships of
transverse layers. In her work as both a creator and an art curator, landscape-
voice-ritual converge in a symbiotic way, tracing cohabitation and spaces of
poetics and sustainable fabrics between foreign and native natures.
In her creations she immerses herself between the waters of bioart and the
alchemy of experimentation: sound (bioacoustics, soundscape, radio art, sound
art, archaeomusicology), audiovisual and organic (study of nature through art),
having carried out several artistic residencies.

Cecilia Blanco representing Cave Aquam Collective (Laura Landi, Cecilia Blanco, Anastasia Solazzo, Arianna Cianetti, Cristina Martone, Davide De Lillis, Lucia Tedesco, Paola Pietronave). Work realized also in collaboration with Ezequiel Abregu (mix e mastering)
Cecilia Blanco is an Argentinian artist. Co-creator of scenic works, video installations, performances, and actions, her practices address socio-environmental issues, the relationship between political practices and artistic creation, and the production of fictions that can challenge binary and dominant logics of perception. Cave Aquam is a collaborative, interdisciplinary project created at the conclusion of the 2023 Master’s in Environmental Humanities (RomaTre University). The collective involves artists and researchers from various parts of Italy. Starting with the theme of extractivism, it explores how this impacts the environment and the diverse forms of life that inhabit these areas.

Composer Chin Ting CHAN
grew up in Hong Kong and came to the United States in 2003. He has been featured in festivals including Ars Electronica, IRCAM’s ManiFeste, ISCM World Music Days, and UNESCO International Rostrum of Composers, among others. He is currently an Associate Professor of Music Composition at Ball State University.

Simon Coates
is an artist and writer based in London, UK. His practice is predicated on examining societal mores and behaviors as communicating modes.

Gordon Delap
comes from Co. Donegal in Ireland. He studied composition at City University, London, and Queen’s University, Belfast. He has undertaken residencies at Nadine Arts Centre in Brussels, the Crescent Arts Centre in Belfast, the Technische Universitaet in Berlin, at Edinburgh University, and SCRIME, Bordeaux. He is currently lecturer in music technology at the National University of Ireland, Maynooth.

Born and raised in Sousse, Tunisia,
Amine Dhouibi is an independent guitarist and composer.
He studied at the Higher Institute of Music in Sousse and has participated in various international artist residencies and events.
His work focuses on the evolution of modern music, blending influences from diverse artists and musical experiences.
Amine strives to carve his own unique musical style, reaching out to younger generations and advocating for the growth of the local art scene.
His debut album, “The Resurrection,” was nominated for Best Newcomer in Jazz at the Mzansi Jazz Awards 2021, and his second album, “Eternity,” was nominated for Best Contemporary Jazz Album in 2023.

Finbarr Dillon
is a Sound Designer and Composer living in Lisdoonvarna Co Clare, Ireland, working in the areas of Electroacoustic, Acousmatic and Electronicia to create “Fixed Media” pieces of Sound Art. In late 1990 I had the opportunity to take a vocational ‘Sound Design, Audio Engineering’ course at Media Productions Services in London, UK.
I returned to Trinity College Dublin to do a Postgraduate Diploma in ‘Music and Media Technologies’. After TCD, I went to the University of Limerick to successfully complete a Masters in Music Technology.
My compositional practice involves working with Csound, Supercollider, MAX, software synthesisers from Native Instruments, Arturia, hardware synthesisers, Samplers.

Erizonte
is a multi stylistic band founded in 2002 by composer, producer and multi-instrumentalist Julian Sanz Escalona linked to the scene of avant-garde music in Spain since 1982. (More information at Wikipedia) https://es.wikipedia.org/wiki/Erizonte

Cristian Fierbinteanu is an independent artist, member of art-pop group Fierbinteanu, active in music, sound & video art. As part of Fierbinteanu, he has performed on European scenes, including Berlin Konzerthaus, and released records via independent labels. The works of Fierbinteanu have been presented and awarded in international festivals: RVK Fringe Fest (Reykjavik – Iceland 2021), Seasoning Spring (United Cowboys/Eindhoven 2021), Phonurgia Nova (Paris 2020), Grand Prix Nova (Bucharest 2020), Nuit de la fiction sonore à Arles (France 2019), Arts and Science days (St. Etienne/France 2019), 60 Seconds Radio (Canada 2019), Dvorak Marathon (Berlin Konzerthaus), Dvorak remix (The Czech Cultural Center/ Bucharest). “Un auteur à suivre” – Phonurgia Nova; “An artistic duo that sincerely deserves total fascination” – Art7; “One of the most eccentric creatures of the independent music made in Romania” – DILEMA veche; “The oddest and most experimental duo of the Romanian electronic music” – VICE Romania.

Giorgio Gerardi
Around the age of twenty, I began my personal photographic research. I got fascinated by the artistic
Avant-garde of the Nineteenth and Twentieth centuries, because they focused on the analysis of the visual
medium, than to the staging of reality and its representation.
In recent years, I have focused on some details of the environment around me: clouds, leaves and everyday
objects that you daily have under your eyes. I have also produced music, some videos, which have been
screened at video mapping festivals and participated in film festivals. I’m also interested in the use of AI.

Jakob Gille
studied at the HfM Dresden composition and music theory. He is the driving
force behind Into Sound, an initiative that has organised multiple concerts for 3D
loudspeaker setups in Berlin. His compositions have been played several times at the
Medium Sonorum concert at the Ars Electronica Linz, in Ústí nad Labem in combination
with the Ambisonics Summer School 2023, at the Festival Izis in Koper and the Apnées
Festival in Grenoble. In 2023, he won an honorable mention at ISAC in Pesaro. Currently,
he is pursuing a master’s degree in Computermusic and Soundart at KUG & IEM Graz.

Marek Hlaváč
is sound artist whose work is focused on relation of sound, technology and natural and social environments. His performances, installations, compositions and site-specific projects are based on listening, reflection and speculative reimagining. His live performances often concentrate on relationship between instrument/technological setup and interaction of participants. Occasionally he also does curatorial work (eg. Prague small guerilla style sound-art festival Transient Zones).

Josephine Illingworth-Law (Uk)
Using collected sound, ethnographic research, and performance, Josephine Illingworth-Law investigates places where the human and natural worlds are entwined with unusual complexity. Trained as a chorister, she uses her own voice to meld her field recordings into lyrical soundscapes, constructing complex sound pieces designed as moments of deep listening.

Yeudiel Infante (Mexico City, 1989) is a Mexican composer and sound artist. Educated in jazz composition, his music encompasses a wide variety of styles ranging from songwriting to contemporary chamber music. He has collaborated with artists such as the Chicano performance collective La Pocha Nostra, poets Rojo Córdova and Elsa Cross, and singer Eugenia León. As a sound documentarian, he won third place in the XIV International Radio Biennial (2023, podcast category). His sound work “Río Pastita” represented Mexico at the SONODOC 2023 exhibition, held in Spain.

Richard Jermain (aka The City Underground)
is a composer and PhD candidate living in Bloomington, Indiana.
His sound work takes a cybernetic approach, finding dense, evolving textures within feedback networks that utilize human-machine interaction, space, and acoustic resonance. Through deliberately hybrid arrangements, he incorporates field recordings, modular synthesis, and electromagnetically extended instruments.
Jermain’s dissertation research explores ways in which late capitalist soundscapes are depicted in electronic music genres, and the ways in which they embody ideologies of fatalism and pessimism, as well as structures of feeling around emerging ideas of progress.

Yauheni Kalmykou,
composer and director who fled Belarus in 2020. I create binaural music using binaural beats to achieve a therapeutic effect. The effect can be fully felt if you listen to the composition in stereo.

Roman Klaudo
is a musician, sound artist, new media artist and
engineer. I love all things related to music and sound, so I like to create not only music,
but also musical instruments – guitars, modular synthesisers, experimental devices…
Roman was born in St. Petersburg, Russia into a dynasty of engineers involved in the
development of spacecraft. Dad worked on the electronics of the Soviet space shuttle
Buran, and grandfather was the head of the gas-dynamic testing laboratory of rocket
engines.
Creating all sorts of complicated things has always been a special passion, and the
space sphere was perfect for it. At university, Roman became interested in jazz and jazz
music, and after graduating and working in the comic industry, he continued his musical
education and started experimenting with musical instruments.
While studying at the Department of Art&Science at ITMO University, in addition to a
whole new intellectual world, he met a huge number of talented people who encouraged
him to expand his interests, and Roman became interested in neural interfaces and
deep neural networks. He continues to do so to this day in the context of musical
experiments.

( ether o ) is an interdisciplinary artist, drummer, producer, DJ, energy and sound practitioner from Taiwan, currently based in Berlin, Germany. Their diverse artistic portfolio encompasses music, video, sound, sculpture, installation, and performance. Employing a conceptual approach to music and sound, they view these elements as materials for storytelling. Drawing on their background as a drummer, they frequently use drums as storytelling devices, incorporating a variety of gestures into their work. Their performance practice has evolved into an ongoing exploration of the intersection between body, movement, and sound, emphasizing themes of representation, care, and healing within decolonial-eco-feminist narratives.

Zoe (Yi-Cheng) Lin
is an accomplished composer specializing in AI music development, 3D immersive music, and auditory-visual synesthesia.
As an assistant professor at National Taiwan Normal University, her work has received international acclaim, featured at prestigious events like IRCAM Forum 2024 (Paris), NYCEMF 2024 (USA), ICMC 2024 (South Korea), MediSouP 2024 (Cyprus), SiMN 2023, MUSLAB Planeta Complejo exhibition, NYCEMF 2023, SICMF 2023, NIME 2023, MiRNArte 2023, NoiseFloor 2023, Earth Day Art Model 2023, ICMC 2022, IRCAM Forum 2022, etc. Zoe’s musical influence extends across 19 countries, spanning Asia, Europe, North and South America, cementing her global reputation in the field.

Niki Matita
is a radio_sound artist, curator, writer, presenter, record-entertainer & visual artist. In the 2000s, she was the artistic director of the club ‘Zentrale Randlage’, a platform for experimental music and culture in Berlin. As member of female:pressure she initiated the FACTS survey on gender relations at festivals. Since 2007 she is locally and internationally involved in free radio and community media. Her radioart pieces are broadcast worldwide, e.g. Česky Rozhlas, Radiophrenia Glasgow, Soundart Radio, Sistersakousmaticas, Walking Sound. ‘La Passante Ecoutante’ is her current show. In 2024 she is co-curator of NNOI Festival for 12,756 tone music in Zernikow.

UNSEEN contemplates our relationship with non-human life and the more-than-human world. Juxtaposing field recordings, lo-fi electronics, and guitar driven noise, the work plays with dissonance and the disconnections between everyday life on a planet in crisis and the teeming, ever emergent ontologies around us. Foregrounding the immediacy and proximity of the sometimes nighmarish yet beautiful ecology in which we are deeply entangled, layers of multi-species in-between spaces and forms prompt a reimagining and reconnection with land desperately required in a world that despite the consequences still sees the human as omnipotent architect and manipulator of reality.

Ian McArthur
is a hybrid practitioner working in the domains of experimental interdisciplinary practice, transcultural collaboration, sound art, experimental radio, Metadesign, and education change. Working since the early 1980’s utilising a resolutely lo-fi approach to all things ‘musiq’, Ian’s practice as creative producer and sound artist has involved utilising field recordings, granular and generative synthesis, mobile technologies, and open-source platforms in exhibitions and telematic, non-idiomatic improvised performances. This work has been showcased in experimental sonifications for responsive interactive media environments used in public art and gallery installations, live performances, and exhibitions in Australia, China, and the UK.

Robert McClure’s
music attempts to discover beauty in unconventional places using non-traditional means. His work has been featured at festivals including NYCEMF, Beijing Modern Music Festival, ISCM, SEAMUS, and ICMC. His works may be found through ADJ·ective New Music as well as ABLAZE, Albany, and SEAMUS Record labels. He has received multiple Ohio Arts Council Individual Excellence Awards and was recently named the 2023 Music Teachers National Association Distinguished Composer of the Year. Robert has previously held positions at the Shanghai Conservatory of Music and Soochow University in Suzhou, China. He serves as Associate Professor of Composition/Theory at Ohio University.

Ariel Mioduser (IL)
Born in Argentina. Currently living in Jaffa, Israel. I am a media artist specializing in sound art, animation, and digital painting. My sound works encompass the use of my voice, field recordings, and electronic instruments, both in its natural state and electronically manipulated. My visual creations are based on the pixel as the fundamental unit of digital art. By blending visuals and sound, my art offers a unified experience.
Over the years, I have participated in various festivals, group and solo exhibitions, both in Israel and internationally.

J.F. Nation,
a graduate student at Georgia Tech pursuing a master’s in music technology. My research focuses on redesigning historical musical instruments by incorporating critical-making studies, science and technology studies, and sound studies to highlight global colonial, ecological, and queer injustices. My work emphasizes creating instruments from recycled and eco-friendly materials to explore post-colonial discourses and histories through sound, prioritizing music-cultural desirability, accessibility, and education through multimedia in my designs. At Georgia Tech, I am honing my music composition, instrument fabrication and repair, and sociological analysis skills, developed through my music major and physics minor at Cornell University.

Chaeryeong Oh is currently pursuing a master’s program in music technology at Georgia Tech. They earned a B.A.S. in Art & Technology and a B.S. in Computer Science and Engineering from Sogang University. Chaeryeong explores Korean futurism and sustainability through interactive music. Their current research topic is shaping Korean queer futurism by connecting microbiology and ecology with their life to build an autoethnographic sound art. Their recent work, “Flowers For Everyone From Nowhere” is a web Vjing tool based on the imaginary flower garden Seocheon Kkotbat in Korean folktales and shamanism.

Motoki Ohkubo (Japan)
is a Japanese composer, and a part-time teacher at Nagoya University of the Arts, Aichi Shukutoku University, and Soai University. He uses technologies, such as audio engineering, programming, and video in musical composition. His works extend a musical form with a wide range of expression, electroacoustic, algorithmic composition, chamber music, dance music, installation, and video. His works won ACSM116 award at Contemporary Computer Music Concert 2010, Sony special award at Wired Creative Hack Award 2019, “Musica contemporanea” 3rd Prize at ARTE PUBBLICA E METAVERSO 20023 and the boston music initiative – the 2024 Living Music Summit: Sound Image Gesture.

Shawn Pinchbeck
has eight albums of electroacoustic, film and ambient music. His music and sound design has been used in numerous films and contemporary dance performances. He regularly presents his works at festivals in Canada and Europe. He has MMus and PhD degrees in electroacoustics from the University of Birmingham, UK where he studied with Jonty Harrison and Erik Oña.

PROMECO (Paul Collins & Mathilde Proy) (France)
Mathilde Proy and Paul Collins first met through their shared activity as painters. After playing together at one of the bi-weekly “Broken Impro” sessions at the music venue, Chair de
Poule, Paris in December 2023, they decided to join forces to form Promeco. Collins is a Toronto-born, Paris-based visual artist and musician. He teaches printing-making and
experimental music at ESAM Caen. Proy, from Reims, is currently working on her degree in electroacoustic composition at CRD de Pantin. They are both active members in the Paris
improvised / experimental music scene.

Giuseppe E. Rapisarda
graduated in Piano, Electroacoustic Music and Music Composition at Bellini Institute in Catania. He studied Electroacoustic Music under Alessandro Cipriani and obtained a master degree with first class honours at the Frosinone Conservatory. He took part in masterclasses with Barry Truax, Giacomo Manzoni, Trevor Wishart. His compositions have received honors and have been performed all over the world. He teaches Electroacoustic Music at the Palermo Conservatory.

Stephen Roddy
composer & sound artist working at the intersection of technology and the
creative arts His creative projects span a variety of media and styles, including music
composition and performance, generative and data-driven music and art practices, digital art,
and sound art. His creative work, described as majestic and sweeping yet beautifully
unsettling, is frequently performed and installed at home and abroad. His most recent musical
work Leviathan is available through Fiadh Productions. Previous events have included the
New York City Electroacoustic Music Festival, IMMA’s Earth Rising Festival, and the
Helicotrema Recorded Audio Festival in Venice.

Mar Garrido Román and Laura Apolonio
are multidisciplinary artists as well as professors and researchers at the Faculty of Fine
Arts in Granada (Spain). They have created numerous artistic, audiovisual, and sound
works and have published research articles on the topic of sound art in indexed
academic journals. Notably, their project “Sound Cartographies of Granada” stands out,
in which they have created a sound map of the city’s neighborhoods.

Timothy Roy
composes music steeped in imagery and allusion, which seeks to elicit a sense of time,
place, and feeling. His music has received performances at such venues and events as the National
Theater of Taipei, Music Biennale Zagreb, ZKM Karlsruhe, BEAST, San Francisco Tape Music
Festival, Contemporary Arts Museum Houston, and Los Angeles County Arboretum. Recent
honors include the Salvatore Martirano Memorial Composition Award (1st Prize),
ASCAP/SEAMUS Student Commission Award (1st Prize), Prix CIME (Distinction), and Giga-Hertz
Prize from ZKM Karlsruhe (Honorable Mention). Tim resides in Saint Paul, Minnesota, where he is
choirmaster and organist at the Church of Saint Peter.

Petr Safronov
works with lines, forms and waves. Often I describe myself as a field philosopher. I write poetry, craft visual essays, philosophical pieces, and sound works. My work was presented, among others, at the AfterProgress (2022, Goldsmith’s College) and Autopoiesis (2023, IKITI lab) digital exhibitions.

Chiradip Sarkar
is an Indian Classical Santoor ( Hammered Dulcimer) player and a Music Composer. Disciple of World famous SANTOOR LEGEND PANDIT TARUN BHATTACHARYA. Working with many projects also performing in many prestigious Indian Classical Concerts in India and abroad also, performed in USA, GERMANY, ENGLAND, DUBAI, THAILAND, . Chiradip has been awarded by NATIONAL SCHOLARSHIP from Govt.Of India in the field of Indian Classical Music. He has been awarded by prestigious DADA SAHEB FALKE AWARD, KALAKAR AWARD for some of his project. Chiradip is a B HIGH graded artist in ALL INDIA RADIO.

Jean-Yves Sellin
has been involved in creating sonic art for several decades. Creating sonic environments for painting or photography exhibitions and writing more personal ‘acousmatic’ pieces.

Matías Ignacio Serrano Acevedo
Sound artist and professor from Santiago, Chile (1993). Master in Media Art (2024) and Bachelor in Arts with mention in Sound (2016), both from University of Chile. Member of the sound art collective Núcleo de Artes Sonoras and co-manager of the latin american sound art & experimental music label Archivo Veintidós. His work is aimed to explore our relationship with sonic objects through DIY electronics, field recordings, non musical sonic practices and the art of listening. Has previously participated in several residencies, exhibitions and sound art festivals and published three studio albums as “misaa”.

Akgün Tokatlı
studied Industrial Design at Istanbul Technical University and developed his doctoral thesis there. He began his career as a research associate at YTÜ Art & Design Faculty Photography an Video department. Throughout his career, he has managed numerous interaction and experience design projects for leading companies. Currently, he heads the Visual Communication Design department at Medipol University and lectures on interaction and experience design. He actively develops artistic projects using visual media at the intersection of art and design, with works spanning photography, video, sound, interactive media, acrylic painting, and writing. His approach integrates art and design to create unique, immersive experiences.

Marina Trevino
Graduate Student at Texas A&M University, MS of Visualization

Eduardo Brigagão Verderame
Visual artist and curator, born in São Paulo, 1971, studied at São Paulo University, artist in residence in Apexart (NYC), MuseumsQuartier (Vienna), Artist links (UK) and others. Co-founder of collectives EIA (Experiencia Imersiva Ambiental), Nova Pasta and Esqueleto Coletivo.

Having been a futuristic bruitism, atypical composer of electronic music,
Jean VOGUET pursuing research into the notions of Acousmatic Geophonies
& Heterotopias and has always focused on how his works are presented in
each environmental & immersivity context.
His work on ” sound spaces of otherness “, which means the virtual
ecosystem in complex structures (the sound materials created by sound
synthesis, not originating from organic sound) generate an initiatory
musical wandering – outside of time and outside the border – within the
unlimited and temporary dimension.

Willyn Whiting (he/him)
is a Canadian composer of both acoustic and electronic music. His works feature diverse stylistic trends and personal conceptualizations of metaphor and orientation.
Over the years he has written for both professional and emerging ensembles including the Bozzini Quartet, Del Sol String Quartet, the Winnipeg Symphony Orchestra, the Fort Worth Symphony Orchestra, and RE: duo. His music been featured at such festivals as WNMF (CA), MANTIS (UK), REF (IT), SEAMUS (US), EMM (US), PMF (US), NEMF (US) and the SPLICE Institute (US) and Canadian workshops such as Orford Academy, Montréal Contemporary Music Lab, and Domaine Forget de Charlevoix.
His teachers include Jon Nelson, Joseph Klein, Panayiotis Kokoras, Kirsten Soriano, Paul Frehner, Gary Kulesha, James Rolfe, and Vincent Ho, among others.