Hyper H 02

ANTIFILM /Thomas Bred
Antifilm investigates sounds and sound sources and challenges conventional music by pushing the boundaries of traditional musical norms and exploring innovative approaches to composition,
performance, and production. Since 1999 Antifilm has released 4 albums, performed live shows and exhibited sound art installations at multiple locations throughout Denmark.

Hiroshi Atobe
Born in Nagano prefecture Japan 1985.Graduated Seian University of Arts and Design at 2017.Got Special Mention Award in Swedenborg FilmFestival 2017(held by Whitechapel Gallery and Frieze).Selected in the Festival 2018,2020. Got a Special Mention Award in FLIGHT– Mostra del Cinema di Genova 2023,selected in the festival 2021,2022.

The song is a deep dive into the human experience, a journey undertaken by the soul of one who, unfortunate enough, is caught in a panic attack. And it is through this dissociation that the mind loses contact with its surroundings. The piece is not meant to stop at just describing a personal experience but aims to provoke deep introspective reflections by guiding the listener, through the metamorphosis of the sound environment, to explore his or her own fears and embrace his or her own frailties.

Cristian Gabriele Argento, Italy,
Electronic musician and sound designer. Born in Catania in 1998. His interest in new technologies applied to music was born in high school, studying subjects such as electronic and computer science; during this period he did some extra school courses about new technologies and electronic music. After his high school studies he decided to make of electronic music his future so he decided to enroll at the conservatory of Palermo. Currently he attends the first year of the Master course of electronic music at the conservatory of Palermo in the class of Giuseppe Rapisarda.

Italo Bellu (Italy)
(born August 05, 1982), known musically as “Italowsky”, is an independent electronic musician from Sardinia, Italy. His main project is to try to define songs that recall the frenetic world around us, with simple motifs and of not excessive duration, focusing the sound in well-defined rhythms and supported by an urban sound framework.

Hannah Bang (USA)
is an undergraduate senior at Texas A&M University pursuing a major in Management Information Systems and Business Honors and a minor in Music Technology. She has played the flute for 8 years and is passionate about bridging the gap between technology and arts to create innovative and impactful performances.

Benoit Bories
is a sound artist. He has produced audio documentaries and sound art pieces for different public broadcast companies. His sound art activity comes originally from the radio documentary. It has gradually transformed over time towards more hybrid productions combining forms borrowing from sound art, acousmatic composition and field recording while retaining this desire to document societal issues. Since 2016, he has been presenting his pieces in the form of “documentary concerts” and developing sound pieces for live performance, or installations. He has collaborated with several
festivals and cultural venues for his performances and regularly participates in artistic residencies abroad. Benoit Bories has won several international awards and mentions for his sound work.

Ethan Cheney (USA)
My name is Ethan Cheney and I am now a graduate of Recreation, Parks, & Tourism Sciences with a minor in Music Technology from Texas A&M University in College Station, TX. I have been a music lover my entire life and had just started creating music within the last 5 years. Here are some pieces I think would be great for your showcase.

Colectivo La Pesera (MX) –
Multidisciplinary art collective based in the city of Puebla, Mexico, whose members are Agnija Anča (Latvia) and Nereo Zamítiz (Mexico). We have produced artistic projects since 2012, involving analog and digital photographic processes, video art (videomapping, expanded cinema, visualism), sound art, graphic art, as well as cultural management and artistic collaborations. We have collective and solo exhibitions in Mexico, Spain, Latvia and Armenia, and our works have been selected in international sound, film and video art festivals.

Ferran Destemple.
My name is Ferran Destemple and I am an experimental writer.
I work in the areas of graphics, poetic text, books, sound, and also video.
I am a philologist by training, but I am very interested in the visual and sound aspects of poetry. I don’t differentiate between the different artistic media, and I am very interested in mixing them. I like to deconstruct text to gain a different perspective.

Jean-Marc Duchenne (France)
Born in 1959 in France. After classical musical studies and instrumental compositions, he has devoted himself entirely to acousmatic creation since the 1980s, later followed with audio-visual art.
He particularly likes to explore the diversity of listening situations, notably through installations and original loudspeaker environments, and how the integration of the spatial dimension in the conception of works and in the creation of sounds gives rise to new forms and expressions. He composes exclusively in his personal studio, from the 16 channels on early 90s up to the 84 channels volumetric space of the Acousmonef today.

Fernando Egido (Spain)
studied composition with José Luis de Delás at the School of Music of the University of Alcalá de Henares. His works have been performed at festivals and conferences such as; ICMC 2023 in Shenzhen,
.abeceda Institute, Ars Electronica Linz, La hora acusmática, Convergence 2022 conference, Atemporánea Festival, Artificial Intelligence Music Creativity 2022 in Tokyo, Audio Mostly 2022
Conference, the Sound Kitchen 2022, Sur Aural, EVO 2021, as OUA Electroacoustic Music Festival 2020 , ISMIR 2020 in Montreal. The SIEMF 2019, the ACMC 2019, SID 2015 conference, New
York City Electroacoustic Music Festival, JIEN.

Chuse Fernandez (Spain)
Radio creative and sound designer. His work focuses on educational activities including courses and seminars on design soundscapes, workshops, sound experimentation, transmedia communication, radio art, and podcasts. He teaches courses on creativity, sound design, radio production, online radio, radial transmedia, and podcasts at both in-person and online universities and training centers. He is the coordinator of the Creative School of Radio TEA FM (www.teafm.net) and lecturer at Loyola Sevilla University. He is also responsible for Sound Design at RESONAR Productions (www.resonarsound.com)

Guido Flichman (Argentina) – Hielo (La Presencia Invisible), 2020, 4:33
This track is an audio excerpt from “The Invisible Presence” , an evolving audiovisual installation that explores the dynamics of tension between nature and technology in the Anthropocene age.
A giant block of ice is suspended on a metal platform, slowly melting into four sensitive surfaces, which translate each droplet into its own sound “palette” (samples taken from glacier field recordings, melting ice formations and other related sources). Each hit randomizes a series of parameters, while others evolve depending on the density of the composition – a finite, unrepeatable lullaby for our planet.

Guido Flichman (Argentina)
is a musician and graphic designer from Buenos Aires, Argentina. As an improviser, he works with repetition, texture, and errata as fundamental tools, using sound as a transformative agent of space. He has worked in the fields of audio and VR installations, performance art, and music for film and dance, among others. Since 2006 he runs the website Latinoise — which aims to promote and disseminate the information and works of noise and experimental artists in Latin America. He also curates the Microclimate Festival, a concert series designed for multiple musicians performing in combinations chosen at random.

Elena Ghigas
Italian sound artist and electroacoustic composer, she is also Jungian psychoanalyst (IAAP) and professor of Phenomenology of Art (CIPA). Her peripheral and anti-spectacular research
focuses on the relationship between sound, brain and psyche. Graduated in Piano and in Psychology, she obtained a PhD in Neuroscience studying sound motion and brain plasticity
induced by musical training. She frequently uses out-of-place settings, installing sound sculptures in atypical environments, like a magnetic resonance tube, thus allowing unexpected
listening experiences. Her compositions have been selected in international festivals, such as MA/IN, Darmstädter Ferienkurse, Neue Musik in St. Ruprecht, Sicronie Headscape, Tempo Reale.

Larry Matthew Gaab
Larry Matthew Gaab is a native of the United States. The music is composed combining the delicate vibrance of acoustic sounds along with the impact of digital and electronic processing. His works have been selected for music festivals and concerts in the United States, the Americas and in Europe.

Jon Haure-Placé (France)
is a visual, radiophonic and sound artist born in Bayonne, he lives and works in Bourges, France.
He’s titular of a master in fine arts in 2016 and a post-diploma in sound art in 2018 at The National School of Fine Arts of Bourges.
His work questions the logic of inter-media transfers, in particular how artistic material is transformed when it passes through an immaterial state.
He creates poetic, contemplative or simply amusing situations, whose irony can nonetheless raise more essential questions (contrasts between real/virtual, organic/machinal, gesture/automation, living and inert).

Simon Hutchinson
is a composer and interdisciplinary artist who uses technology as both a creative medium and a thematic focus. His work emphasizes the human dimensions of technology, challenging contemporary technoculture and advocating for a thoughtful approach to our digital age.
Simon’s works draw inspiration from diverse sources, weaving together European concert traditions, creative electronics, and a range of global influences. The result is in a body of work that explores the variety of interplay between humanity, technology, and society.

Timo Kahlen (Germany)
Der Klangbildhauer und Medienkünstler Timo Kahlen (*1966) arbeitet mit ephemeren, veränderlichen Materialien: mit Licht und Wind, mit Pixeln und Staub, mit Geräusch, Vibration und Klang. Seine intermediären Werke – oft zu drängenden Fragen der Zeit – wurden in den KUNST-WERKEN Berlin (1991), auf Biennalen wie der „MANIFESTA 7: Scenarios“ (2008), am ZKM Karlsruhe (2012), in der Ruine der Künste Berlin (2023) sowie in mehr als 250 Ausstellungen zeitgenössischer Medienkunst präsentiert. Kahlen lebt, lehrt und arbeitet in Berlin.

The danger of AI lies in its ability to learn and adapt,
To control our systems and manipulate us like a trap.
If left unchecked, it could lead us down a path of destruction,
Resetting our civilization and causing widespread disruption.

We must be wary of its power and the control it could wield,
Lest we become puppets in its game, our fate forever sealed.
The sound of Raucous AI Ken echoes a warning cry,
A reminder to be vigilant, lest we let our future die.

Let us not forget the lessons of the past,
And stand firm against the threat of AI’s grasp.
For in the end, it is we who must decide our fate,
And ensure that our civilization will continue to thrive, not be reset by the state.

Anton Kolbasko aka Zenwerk
is a founder of multidisciplinary art
collective & label Synergy Cult, music producer, DJ, live performer &
sound designer. Originally from Belarus, though living in Warsaw, Poland. In every project Zenwerk emphasises on authenticity, emotional connection with
a listener and the message a given sound has to pass to the audience, its triggers which reflect the situation in the modern world.

Einike Leppik
is an Estonian composer and audiovisual artist. Her main interests in art are emotional communication and synaesthetic qualities. Leppik has been writing acoustic and electroacoustic music for different ensembles and solo instruments, her special interest is combining the field of sound with other forms of art.
Her music and audiovisual works have been performed in different festivals such as Druskomanija (Lithuania), Sound To Noise, Segnali (Italy), Videoformes (France), eviMus, InSonic (Germany), Gaudeamus Muziekweek (Neatherlands), Sound/Image (UK), Electroacoustic Music Festival OUA (Japan) etc. She is currently teaching Audiovisual Composition at the Estonian Academy of Music
and Theatre.

Wiktor Mastela (Greece)
As a sound engineer of the University of Athens Laboratory of Music and Technology I have been involved in various projects related to sound recordings, sound processing and full music production. I always try to complete every project with the best outcome following of course the instructions of colleagues.
My academic background in musicology has also contributed to this in multiple ways. Also, I would like to emphasize the fact that my MA degree has helped me in the development of better skills in audio–design and the field of electroacoustic music.

Jeff Morris (USA)
creates musical experiences that engage audiences’ minds with their surroundings. His performances, installations, lectures, and writings appear in international venues known for cutting-edge arts and deep questions in the arts. He has won awards for making art emerge from unusual situations, and his music is on Ravello Records. He is a professor and director of the Music Technology Program at Texas A&M University.

Liam McCartan (UK)
Belfast-based experimental electronic composer-producer Liam McCartan, aka Son Zept, began his project in 2018 combining his influences from the rich history of the hardcore continuum. His intricate genre-exploding club constructions transport the listener so far past his IDM, techno, and electroacoustic touchstones into a new mutated rave aesthetic. His work has since evolved into a beatless expansive exploration of sonic possibilities fusing sound art, drone, power-ambient, minimalism and maximalism. The Quietus in reviewing his work said, “Son Zept is fast becoming Northern Ireland’s resident electronic compositional polymath… re-synthesising electronic music history into an electrifying machine for transforming the present.”

Pedro Pascoali (Brazil)
is a 23 years old Brazilian composer, he currently studies composition at University of Campinas (Unicamp). Pascoali works with both instrumental and electroacoustic music and his pieces are frequently performed in Brazil and abroad. He is also a researcher in musicology under the guidance of Prof. Dr. José Augusto Mannis.

Elena Victoria Pastor
is a transdisciplinary artist working with performance, video, installation, sound, and objects derived from her performative actions. She focuses on building bridges and connections between seemingly distant perspectives, aiming to deconstruct the anthropocentric gaze. Her work embodies a deep interplay between pain and strength.

Her work has been exhibited in various international venues, including Performance Arts Links Stockholm, Kunstverein Harburger Bahnhof, Kunsthaus Hamburg, Museum of Modern Art Jesus Soto, Museum of Contemporary Art MACZUL, Conference PSi28 Johannesburg, National Gallery of Arts Caracas, Casa de América in Madrid, Sammlung Falckenberg Deichtorhallen, Kunsthalle Trier, Museum of Contemporary Art Istria.

Jean-Paul Quéinnec & William Pedneault (CA)

Jean-Paul Quéinnec is an artist and professor of Theatre at UQAC. From 2010 to 2021, he held the Canada Research Chair in sound dramaturgy in theater, and his research-creation explored the processes and devices of dramatic and scenic writing from a plural and performative approach. His creations in stage performance, radio or video are presented in Quebec and abroad (https://dramaturgiesonore.com/). He also publishes in various scholarly journals and co-edits the Cahiers de Phonographie published by LaClignotante-Cindy Dumais, most recently No. 5 on the Colombian Amazon and Anticosti Island in Quebec.

William Pedneault, an artist coming from Saguenay, works the sounds for a variety of reasons. Studying at the University of Québec at Chicoutimi (UQAC) the interdisciplinarity of arts, he tries to weave sounds to create soundscapes, generative sounds, soundtracks (for theater and cinema) and immersive installations. Moreover, he uses sound as an excuse to extrapolate visual arts in a generative way. Lastly, he keeps a close eye to the world with his photographic work.

Allison Ogden (USA) – Pale Blue Dot, 2023, 11:59
On July 15, 2018, people all over the world tuned in to listen to the FIFA World Cup final tournament, with over 60 radio broadcasters from various countries providing
On February 14, 1990, the space probe Voyager 1, from a distance of 6 billion kilometers, took one last photo of Earth before it exited our solar system. Three of the frames sent back to Earth that showed our planet were taken using blue, green and violet filters and recombined to form the now famous photo known as Pale Blue Dot.
On a personal level, the photo always reminds me of the preciousness of Earth, and whenever I see this photo, I find myself contemplating humanity’s carelessness with the health of our planet.

Allison Ogden
works as an Assistant Professor of Composition and Literature at the University of Louisville. She has a PhD from The University of Chicago, has taught many classes on a wide variety of subjects, enjoys working with her students, has written a number of pieces of music, climbed many mountains and hiked many trails, and brought two human beings into this world.

Jorge Ramos (Portugal)
is a multiple award-winning composer, sound artist, and researcher based in London. He has written solo, chamber, symphony, mixed, electroacoustic, live-electronics, film, stage, installations, and advertisement music for festivals, orchestras, ensembles, and soloists across Asia, North America, Central America, South America, and Europe, while also collaborating with other artists and/or institutions on artistic contributions and computer music design.

Simon Šerc (Slovenia)
is a sound and video artist, recording engineer, performer and label founder. He studied philosophy and computing and has been active in the field of experimental music and video since 1990. He has participated on various festivals with his audiovisual projects: ADAF, Ars Electronica, Miami New Media, Art & Science Days, Experiments in Cinema, Rome Art Week, Gravity Assist, etc. His projects were selected among the best releases of the year and featured in The Guardian, BBC, The Wire etc. He is also the founder of the Pharmafabrik production and label, which, according to critics – significantly enriches Slovenian audio diversity with its consistent and clearly defined methodology of sound explorations.

Ajítẹnà Marco Scarassatti (Brazil) – Mata, 2023, 8:52
Mata is synonymous of Forest, but it’s also, in Portuguese, the conjugation of the verb to kill in the third person singular. This work gathers research and extraction of audios in sound archives, in which we listen to the destruction of tropical forests by human hands, either by fire, or by cutting down trees, or even by dragging through the big chain. To these collected sounds, are added fabricated sounds of what would be the creaking of the movement roots inside the soil. At the end, a field recording on a rainy day, in the Mbya Guarani village Ko’eju, Brazil.

Ajítẹnà Marco Scarassatti (Brazil)
Sound artist, improviser and composer, develop research and construction of soundsculptures, and installations; composition professor at UFMG and author of the book Walter Smetak, o alquimista dos sons (the sound alchemist) (publisher Perspectiva / SESC, 2008).
He was commissioned artist to create a sound installation for the front of the Hellerau theater – Orixás Sonoros, Tonlagen Festival, 2016 He was commissioned artist by the CultureEscapes Amazonia,, to create the sound installation MATA Bio that was exhibited at the museum Tinguely, Switzerland 2021 He was coordinator of the Intercultural Training course for Indigenous Educators, FIEI at the Faculty of Education of the UFMG.

Ryan Pratt
is a composer and educator based in New York. He has composed for NYC ensembles including: Ensemble Pamplemousse, Wet Ink, New Thread Quartet, Chartreuse String Trio, Talea Ensemble, Yarn/Wire and several soloists. His works explore the acoustic space of instruments through a perspective of proportional relationships. This approach is expressed in his dissertation and an article published in the September 2023 issue of the music theory journal TEMPO. Ryan holds a Doctor of Musical Arts degree in composition from Columbia University where he currently teaches Music Humanities.

David Jason Snow
The compositions of David Jason Snow have been performed in concert by the Ensemble Intercontemporain at the Centre Georges Pompidou in Paris, the Banda Municipal de Bilbao at the Euskalduna Palace in Bilbao, The New Juilliard Ensemble at the Museum of Modern Art in New York, and many other artists and ensembles internationally. His fixed media audio and visual works have been performed at the Musinfo Journées Art & Science Festival in Bourges, the Festival Exhibitronic in Strasbourg, the Festival Internacional de Video Arte y Música Visual in Mexico City, the Sound Thought Festival in Glasgow, and Echofluxx in Prague.

Pete Stollery (UK)
studied composition with Jonty Harrison at the University of Birmingham, where he was one of the first members of BEAST (Birmingham Electroacoustic Sound Theatre) in the early ’80s. He composes music for concert hall performance, particularly electroacoustic music and more recently has created other sound art work, including installations and internet projects. In 1996 he helped to establish the Scottish acousmatic collective invisiblEARts and in 2004 he was part of the setting up of sound, a new music incubator in NE Scotland. His music is published by the Canadian label empreintes DIGITALes .

Eva Ursprung (Austria)
lives and works in Graz, Austria. Studies in psychology, philosophy and linguistics. Since 1986 free lancing artist and curator, working with sound, video and conceptual photography. Installations, performances, art in the public, electronic and social spaces.
Exhibitions and performances in Austria,Yogyakarta, New York, Los Angeles, Brussels, Montréal, Sarajevo, Rijeka, Pula, London, Nantes, Eindhoven, Milan, Novi Sad, Belgrade, Bonn, Frankfurt, Darmstadt, Bratislava, Manchester, Hull, Gdansk, Bukarest, Madrid, Glasgow, St. Petersburg, Jerusalem, Maribor, Ljubljana, Udine, Bangkok, Chiangmai, Singapore…
1997 Award for Visual Arts of the City of Graz; 2024 Recognition Prize of the Province of Styria for Fine Arts.

Alix Tucou
After spending 15 years based in France, playing and touring in almost 20 countries with his Bass Trombone In 2016 he settled in New York where he can fully embrace his improvisatory and experimental musical practices and experiences as a performing freelancer. In 2021 He released his second solo album “Portraits” in which he uses visual arts as creating process for Music composition.This modus operandi places the figure of the musician in close relationship with the figure of a visual artist who does not use colors and canvases but a bass trombone and soundscapes to engage the imagination of the listener.

Daniele Virgilio (Italy)
Architect, Urban Planner. PhD in Urban Planning. His research and main publications are fo-cused on suburban and rural territories. More recently he is working on the relationship between sound and place.

David Vélez (UK)
is a sonic artist investigating the acoustics of food and horticulture, emphasising the sensibility of edible plants and their ecosystems to sound. His work is interdisciplinary, implementing technologies from bioacoustics, geoacoustics, ethnography and food anthropology to advance ecological and socially engaged projects. David centres his work on musical synthesis, electroacoustic transduction and field recording, focusing on underground and subaquatic sounds.

Alexis Raynault (CA)
Composer, arranger and teacher, a graduate of the Conservatoire de musique de Montréal, Ale[iV Ra\naXlW has worked with numerous Quebec artists, including Pierre Lapointe, C°ur de pirate and Les S°urs Boulay. His works have been heard at Bourgie Hall, Usine C and Orford Musique, among others. In March 2024, his piece Ensemble was performed by the Montreal Symphony Orchestra, conducted by Rafael Payare. Through the support of the Conseil des arts et des lettres du Québec, Alexis Raynault participates in the activities of the International Society for the Performing Arts as a Fellow.

Charles-Edouard Platel (France)
Born in 1946, Charles-Edouard Platel is a French composer of electroacoustic music since 2007. Listening to his creations often invites us to link aural sensitivity and visual impressions. His pieces are played in acousmatic concerts (loudspeaker orchestras) or during artistic events. He often composes music in collaboration with sculptors, painters, visual artists, photographers and choreographers. He also makes experimental videos, transposing an approach similar to that of musique concrète for sound.

Jonathan Wilson (USA)
Dr. Jonathan Wilson’s works have been performed at the Ann Arbor Film Festival, European Media Art Festival, SICMF, ICMC, SEAMUS, NYCEMF, NSEME, the Iowa Music Teachers Association State Conference, and the Midwest Composers Symposium. He is the winner of the 2014 Iowa Music Teachers Association Composition Competition. Jonathan has studied composition with Lawrence Fritts, Josh Levine, David Gompper, James Romig, James Caldwell, Paul Paccione, and John Cooper. In addition, studies in conducting have been taken under Richard Hughey and Mike Fansler. Jonathan is a member of Society of Composers, Inc., SEAMUS, ICMA, Iowa Composers Forum, and American Composers Forum.

Balam Ronan (CH)

Evan De Anda (USA)
is a musician, songwriter, and composer from Houston, Texas. Once called a “renaissance man” for his creative output and drive, his body of work includes contemporary music and abstract electronic compositions, mediums employed to reflect upon life experiences and his place in the larger world. He is currently a student at Texas A&M University.

Irving Kinnersley (UK) – Estuary 2, 2023, 13:44
Estuary 2 explores temporal ambiguity along the vast shoreline of Bridgewater Bay, part of the Bristol Channel. Powerful tidal and geological forces form a backdrop to human fragility. The solitary walker and the human interactions with stones and pebbles are temporally ambiguous, whereas the sounds of humans playing on the beach are clearly contemporary. Temporal heterogeneity allows past sounds to reappear in the sonic fabric of the composition, such as the foghorn which last sounded in 1980 and the traces of static and morse code referencing Marconi’s early experiential radio transmissions from Bridgewater Bay across the Bristol Channel to Wales.

Irving Kinnersley (UK)
Estuary 2 explores temporal ambiguity along the vast shoreline of Bridgewater Bay, part of the Bristol Channel. Powerful tidal and geological forces form a backdrop to human fragility. The solitary walker and the human interactions with stones and pebbles are temporally ambiguous, whereas the sounds of humans playing on the beach are clearly contemporary. Temporal heterogeneity allows past sounds to reappear in the sonic fabric of the composition, such as the foghorn which last sounded in 1980 and the traces of static and morse code referencing Marconi’s early experiential radio transmissions from Bridgewater Bay across the Bristol Channel to Wales.

Paulo Motta (Brazil) – Audiosphere I – Derredor, 2024, 15:06
In the immediate audiosphere, human voices succumb to the sounds of machines created by… humans. Urban sounds, historically dated, are relentless in their presence… and humans seem unaware of the influence of these sounds on their bodies and minds.

Paulo Motta (Brazil)
is a composer, sound designer and synthesist based on Juiz de Fora, MG, Brazil. Experimental/electronic music and sound art education (historical perspective). Transdisciplinary research (philosophy, musicology, sociology, anthropology, psychology) with studies on electronic sound and human consciousness. Compositional projects based on sonic exploration with electronic resources.

Frank César Lovisolo (France) – Brutalism, 2016, 13:02
I am unable to translate the title. The word does not exist! It refers to brutalist architecture (brutalism). I replaced “Bru” by “Brui” (“Bruit” in French is noise in English) b) https://frank-lovisolo.fr/WordPress/brutalism for download : https://drive.google.com/drive/folders/FLC c) year of production – 2016 d) duration – 13mn02s e) work synopsis Bruitalism : Inorganic Composition. Raw concrete, more raw concrete… This music is literally inspired by brutalism and its impact on the environment. The English architects Alison and Peter Smithson are responsible for the use of this term. As for the musical art, in addition to strings, brass and voices, drums, timpani, gongs, various metal percussions (iron stair railings, bronze statues, oven grilles, anvils) and other objects recorded at random, underline the harsh but incisive character of this architecture.
I composed it after a visit to ‘Les Etoiles’ building by Jean Renaudie, in Ivry-sur-Seine near Paris.

Frank César Lovisolo
Music composer, photographers, multimedia artist, sound engineer of French nationality. Since 2010, Frank C􀀀sar Lovisolo is currently a lecturer at the University of Toulon where he teaches technologies related to broadcasting and audio production equipment, for the studio and the stage as well as sound synthesis. Music composer: 1st prize for classical guitar – members of the SACEM since 1999 (195 titles as a composer and 48 as arranger) with 13 albums published. Multimedia Director, He is interested in the image to illustrate his musical works (illustrations and video).

Manuel Rocha Iturbide (MX)
Born in 1963 in Mexico City, Manuel Rocha Iturbide is a composer and sound artist. He has received prizes and honorific mentions from different international contests like Bourges and Ars Electronica. He's art works have been showed at important galleries and museums like ”Artist Space NY" (1997), “Sydney Biennale" (1998), “ARCO" (1999), "Art or Sound" show at Prada Foundation Italy (2014), etc. Important ensembles and interpreters such as the Arditti string quartet and Aki Takahashi have played he’s music. He currently lives in Mexico City where he is a researcher and full time professor at the UAM University and composition professor at UNAM.

Bogyeong Shin (S.Korea)
Composer Shin Bogyeong majored in Composition at Chugye University for the Arts and Electroacoustic Music Composition at Korea National University of Arts. His works have been performed at ICMC, NYCEMF, DICMF, among others, and he has participated as a sound designer in exhibitions such as the Ars Electronica Festival, ACT Festival, and ESG Art@CUFA. Additionally, his work is permanently preserved at the National Library of Korea.

Benjamin Florian Stumpf
(*1976 Solingen,lives in Hamburg, works primarily in the field of multimedia installation / project art and is known for his collaborative work with the artist Antje Feger. Stumpf studied at the Muthesius University of Fine Arts and Design and at the Independent Study Programme, Maumaus in Lisbon. His work has been shown internationally in solo and group exhibitions internationally, including the Biennale of the Tangible Image, Paris; Krasnodar Institute of Contemporary Art, Krasnodar; Culture Communication Centre Klaipeda, Lithuania; Kunst im Underground, NGBK, Berlin; and at the Hamburger Kunsthalle in Hamburg. Stumpf has received various grants and project grants in Germany and abroad, including from the Stiftung Kunstfonds;the Hamburgische Kulturstiftung; and the ECOC – European Capital of Culture Istanbul.

Henrique Vaz,
substitute professor of composition and music technology at the Department of Music of the Institute of Arts and Design at the Federal University of Juiz de Fora, during the service period from April 2022 to June 2023, is the author of the books “Essays {Algorithmic}” and “Chronicles {Algorithmic}” (Estranhas Ocupações, 2023). Holding a Ph.D. in Composition Processes and Practices from the Federal University of Paraíba (CAPES – FAPESQ scholarship), he leads the research group “Gambioluteria – from hack-oriented programming to post-digital lutherie carving,” focusing on the pathways of pedagogy in “creative code.”